A Tribe Called Quest Bio and Pictures

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A Tribe Called Quest Bio:
Without question the most intelligent,
artistic rap group during the 1990s, A Tribe Called Quest jump-started
and perfected the hip-hop alternative to hardcore and gangsta rap. In
essence, they abandoned the macho posturing rap music had been
constructed upon, and focused instead on abstract philosophy and message
tracks. The "sucka MC" theme had never been completely ignored
in hip-hop, but Tribe confronted numerous black issues -- date rape, use
of the word nigger, the trials and tribulations of the rap industry --
all of which overpowered the occasional game of the dozens. Just as
powerful musically, Quest built upon De La Soul's jazz-rap revolution,
basing tracks around laid-back samples instead of the played-out James
Brown-fests which many rappers had made a cottage industry by the late
'80s. Comprised of Q-Tip, Ali Shaheed Muhammad, and Phife, A Tribe
Called Quest debuted in 1989 and released their debut album one year
later. Second album The Low End Theory was, quite simply, the most
consistent and flowing hip-hop album ever recorded, though the trio
moved closer to their harder contemporaries on 1993's Midnight
Marauders. A spot on the 1994 Lollapalooza Tour showed their influence
with the alternative crowd -- always a bedrock of A Tribe Called Quest's
support -- but the group kept it real on 1996's Beats, Rhymes and Life,
a dedication to the streets and the hip-hop underground. |

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Tribe Called Quest was formed in 1988, though both Q-Tip (b. Jonathan
Davis) and Phife (b. Malik Taylor) had grown up together in Queens.
Q-Tip met DJ Ali Shaheed Muhammad while at high school and, after being
named by the Jungle Brothers (who attended the same school), the trio
began performing. A Tribe Called Quest's recording debut came in August
1989, when their single, "Description of a Fool," appeared on
a tiny area label (though Q-Tip had previously guested on several tracks
from De La Soul's 3 Feet High and Rising and later appeared on
Deee-Lite's "Groove Is in the Heart").
Signed to Jive Records by 1989, A Tribe
Called Quest released their first album, People's Instinctive Travels
and the Paths of Rhythm, one year later. Much like De La Soul, Tribe
looked more to jazz as well as '70s rock for their sample base --
"Can I Kick It?" plundered Lou Reed's classic "Walk on
the Wild Side" and made it viable in a hip-hop context. No matter
how solid their debut was, second album The Low End Theory outdid all
expectations and has held up as perhaps the best hip-hop LP of all time.
The Low End Theory had included several
tracks with props to hip-hop friends, and A Tribe Called Quest cemented
their support of the rap community with 1993's Midnight Marauders. The
album cover and booklet insert included the faces of more than 50
rappers -- including obvious choices such as De La Soul and the Jungle
Brothers -- as well as mild surprises like the Beastie Boys, Ice-T, and
Heavy D. Though impossible to trump Low End's brilliance, the LP offered
several classics (including Tribe's most infectious single to date,
"Award Tour") and a harder sound than the first two albums.
During the summer of 1994, A Tribe Called Quest toured as the obligatory
rap act on the Lollapalooza Festival lineup, and spent a quiet 1995,
marked only by several production jobs for Q-Tip. Returning in 1996 with
their fourth LP, Beats, Rhymes and Life, Tribe showed signs of wear; it
was a good album, but proved less striking than The Low End Theory or
Midnight Marauders. While touring in support of 1998's The Love
Movement, the group announced their impending breakup. ~ John Bush, All
Music Guide |
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